Jan 27th Daily Goals

Write 6 pages on Spec 2 (currently 62)

Create 1 new viable story idea

make 2 business related phone calls.

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Jan. 26th Daily Goals

Write 6 pages on Spec 2
Create 1 new story idea
Complete NCP ep5
Write and send note to college buddy

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Jan. 25th Daily Goals

- write 5 pages on Spec #2

- write my daily goals for tomorrow tonight.

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Jan. 24th Daily Goals

- Write 5 pages on Spec #2 (currently on 51)

- Phone call with Strega Marketing

 

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Jan 23rd Daily Goals

- Write 6 pages on Spec #2

- Write NCP web series ep.5 scene 2

 

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Jan. 20th Daily Goals

- 5 script pages on Spec #2. (Currently at 45)
- Write scene #2 of NCP Episode #5 (approx. 4 pages)

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Jan. 18th Daily Goals

Didn’t accomplish much yesterday due to pre-production on episode 3 of the web series, which shoots today.  So my goals for today are to shoot a bit over half of episode 3.  Shouldn’t be too hard.  will also have a bit of time off this afternoon and may be able to do a bit of writing.

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Jan. 17th Daily Goals

- 5 script pages on Spec #2. (Currently at 42)
- Write scene #2 of NCP Episode #5 (approx. 4 pages)
- Finish Re-Outlining setup of Spec #1

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Jan. 16th Daily Goals

- 5 script pages on Spec #2. (Currently at 38)
- Write scene #1 of NCP Episode #5 (approx. 2 pages)
- Write up notes on Spec for friend
- Finish Re-Outlining setup of Spec #1

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Reaction = Laughter

Just watched 30 Minutes or Less with the commentary.  I was astounded at one part where the director, Ruben Fleischer, was perplexed that the physical aspect of a gag didn’t get the laugh immediately:

“What’s funny is that they don’t laugh until he reacts.  When the blue paint blows nobody laughs.  It’s only until he yell’s ‘Ahh’ that people laugh.  It’s a really weird delight thing…”

I thought that it was common knowledge among comedians and comic directors and writers that the reaction is what gets the laugh.  Actually it’s the combination of the action and the reaction.  But it’s the reaction that cues the audience that it’s okay to laugh.  This was a point that was hammered home by Howard Suber at UCLA over and over again.  I wonder how many comedy writers, directors and editors are unaware of this simple truism.

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